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Canon extends imagePRESS V series with launch of new flagship V1350 and V900 series

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Canon

Now with an option for commercial and in-house printing environments of every size and printing need, the imagePRESS V series is a powerful family of toner production presses

DUBAI, United Arab Emirates, November 28, 2022/APO Group/ — 

Canon (www.Canon-CNA.com)  today announces two new additions to the imagePRESS V series, the flagship V1350 and the V900 series. Setting new standards in cut-sheet toner productivity, the V series is the latest evolution of the hugely successful imagePRESS family. Featuring technological enhancements that take its performance to a new level while making it easier to use, the V series enables both commercial and in-house print service providers (PSPs) to overcome their production challenges and meet customer demands for high-quality, dynamic print content produced to the tightest deadlines.

Now with an option for commercial and in-house printing environments of every size and printing need, the imagePRESS V series is a powerful family of toner production presses that offers increased automation – making them very operator friendly – a wealth of feeding and finishing options, and seamless integration with workflow solutions via PRISMAsync or EFI Fiery controllers. Joining the imagePRESS V1000 mid-range production press that started shipping in June this year (https://bit.ly/3XGmqbN), the V1350 offers the highest print speed, productivity and durability of the imagePRESS family, while the lighter volume production press, the V900, offers the most extensive range of applications printable on one compact device. Robustly built and with sustainability a consideration, the series has been engineered for continuous, reliable productivity, consistent and stable colour, as well as unbeatable front and back registration accuracy.  

The imagePRESS V1350 – best in class for productivity

The flagship imagePRESS V1350 offers exceptional performance and the highest productivity in its class of colour toner production presses. With a top speed of 135 pages per minute, it handles monthly volumes of up to 2.4 million A4 pages with a lifetime of 72 million A4 pages, thanks to its industrial build. The inclusion of a vacuum-feeding mechanism, a flatter paper transport path, the advanced Print on Demand-Surface Rapid Fusing (POD-SURF) unit and integrated cooling system supports long, continuous periods of top-quality printing at high speed and without paper jams, allowing both commercial and in-house print service providers to turn around even demanding jobs quickly and at high volumes without compromise.

Offset-like quality is a given for the V1350 and is maintained from the first to the last sheet of every job, whatever the run length. The Multi-D.A.T. colour correction system automatically preserves colour stability even during continuous runs, with the built-in, In-Line Spectrophotometric Sensor automating accurate colour adjustments when needed. The V1350 is designed to produce high-quality print applications, such as brochures, leaflets, high end mailings and cards, and offers the tightest accuracy in its class for front and back registration (0.5mm), thanks to its advanced registration technologies.

Supporting the broadest media weight range (60gsm-500gsm) of a colour toner press and a wide selection of paper types (including embossed and synthetic) and offering full compatibility with the extensive range of inline finishing equipment from Canon and leading technology partners, the imagePRESS V1350 allows PSPs to offer their customers digital runs of any length across a huge variety of print products.

Built on powerful and proven patented technology and developed based on customer feedback, the imagePRESS V series brings a fresh perspective to digital toner press design

The imagePRESS V900 series – light volume production press that offers greater application flexibility

The entry-level model of the V series family, the imagePRESS V900 series is ideal for printers producing monthly volumes of up to 500,000 A4-pages. It comes in three different models – V900, V800 and V700, reflecting the maximum speed of each – 90ppm, 80ppm and 70ppm – and is made for fast-paced production environments where consistent, high quality, productivity and media choice are required day in, day out.

Not only is it the most compact device in the family, but the V900 also offers a class-leading variety of applications that are printable on a small device, thanks to the media it supports – from 52gsm plain and 70gsm coated to 350gsm thick media, narrow envelopes, as well as auto-duplex 762mm and simplex 1.3m banners and embossed and synthetic paper. This versatility is supported by the latest vacuum technology that adjusts the suction force according to paper weight, stabilising the transport of thick paper, as well as the inclusion of feed rollers and strengthened transport rollers that improve transport stability for thin, thick and short paper, expanding the range of media that can be used and preventing paper jams.

Removing the need for a highly skilled operator, the V900 incorporates new time- and labour-saving automation features that make it easy to use. The inclusion of the optional Duplex Colour Image Reader Unit allows the device to make rapid pre-print adjustments to front and back registration (delivering impressive 0.8mm accuracy), colour gradation, colour density and secondary transfer voltage to ensure high quality even on textured media. Users simply run printed adjustment charts through the Automatic Document Feeder, part of the Duplex Colour Image Reader Unit, and the V900 then automatically makes the required adjustments. Other time-saving features on the V900 include remote alerts to tell operators when consumables are running low.

Eiji Ota, B2B Sales, and Marketing Director, Canon Central and North Africa says:

“The additions of the V1350 and V900 to our imagePRESS V series family will allow both commercial and in-house print service providers to work better, faster, and with greater scope to offer their customers more high-value print products. Built on powerful and proven patented technology and developed based on customer feedback, the imagePRESS V series brings a fresh perspective to digital toner press design, making it a reliable solution for print service providers to produce a diverse range of jobs on a single press. The series offers more automated features, a broad range of feeding and finishing options, and easy workflow integration. Utilizing print management applications such as PRISMAsync Remote Manager to remotely submit, monitor and manage jobs across one or more presses and PRISMAlytics Dashboard to get insights, monitor and analyse Key Performance Indicators, users can boost profitability with optimised print performance and benefit from reduced manual intervention, less waste and increased productivity. And with more freedom in production, they can take on new print volumes, offer more support to customers and help grow their business.”

He further added: “The distinct benefits of the imagePRESS V1350, V900 and C265 were showcased to our key partners and customers, giving them a first-hand experience with practical workshops and presentations at the regional launch in Dubai from 15th to 16th Nov 2022. The addition of imagePRESS V series will boost print production, performance and will increase diversity in our offering to the African partners and customers”.

The imagePRESS V series features controls for maintaining colour consistency in real time and is available with options that include the Sensing Unit and Inspection Unit for further automation of quality control tasks.

The new imagePRESS V1350 will be commercially available from Canon and accredited partners in the first half of next year and the V900 will be available from December 2022.

Distributed by APO Group on behalf of Canon Central and North Africa (CCNA).

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Creative Africa Nexus (CANEX) WKND 2026 opens in Lagos, bringing together leading African and diaspora creatives, investors and policymakers

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The four-day gathering will convene leading voices from film, music, fashion, sport, publishing, gastronomy and business to advance trade, investment and commercial opportunities across Africa’s creative economy

LAGOS, Nigeria, November 5, 2026/APO Group/ –Creative Africa Nexus (CANEX) WKND 2026 has opened today in Lagos, bringing together leading creatives, investors, policymakers, business leaders and cultural figures from across Africa and the diaspora for four days of conversations, deal-making, performances, exhibitions and industry-focused sessions.

 




  

Hosted by the Federal Government of Nigeria and organised by African Export-Import Bank (Afreximbank) through its Creative Africa Nexus (CANEX) programme, this year’s event runs from 5 to 8 November under the theme “One People, United in Culture, Creating for the World.”

The 2026 programme spans film and television, music, fashion, sport, literature and publishing, gastronomy and visual arts, with a strong focus on finance, intellectual property, technology, skills, investment and market access.

Across the four-day programme, CANEX WKND will provide platforms for deal-making, industry dialogue and sector-specific engagement, including the CANEX Deal Room, with the aim of turning creative talent and ideas into stronger businesses, partnerships and commercial opportunities.

That ambition reflects the evolution of Afreximbank’s commitment to Africa’s creative and cultural industries in 2020, subsequently doubling this to US$1 billion before quadrupling the original commitment financing available to US$2 billion.

The expansion reflects Afreximbank’s wider objective of helping African creators and creative businesses build scalable enterprises, strengthen ownership of intellectual property and retain more of the economic value generated by African culture and creativity.

The opening ceremony is expected to feature addresses by Ministers of Culture and Creative Industries across 11 African countries, Dr George Elombi, President and Chairman of the Board of Directors of Afreximbank, H.E. Dr Olajumoke Omoniyi Oduwole, Nigeria’s Minister of Industry, Trade and Investment, H.E. Wamkele Mene, Secretary-General of the African Continental Free Trade Area Secretariat, and H.E. Babajide Sanwo-Olu, Governor of Lagos State among other dignitaries.

The programme will bring together some of Africa and the diaspora’s most influential cultural and industry figures. Participants include Nobel Laureate, writer and playwright Professor Wole Soyinka; Emmy Award-winning actor Uzo Aduba; filmmaker and actor Funke Akindele; actors Richard Mofe-Damijo and Thuso Mbedu; former professional footballers Didier Drogba and Jay-Jay Okocha; alongside leading figures from Africa’s music, film, fashion, sport and creative business sectors.

The event will also include performances and appearances from musicians and entertainers such as Davido, Fally Ipupa, Flavour, Libianca and Charlotte Dipanda, reflecting CANEX WKND’s combination of industry engagement with live cultural programming.

Beyond the headline names, the programme places a strong emphasis on the business of Africa’s creative economy.

On 6 November, a high-level conversation titled “One Market, One Culture: Building the Creative Economy of Global Africa” will examine the steps required to convert the growing global influence of African culture into stronger creative businesses, exports and investment. Speakers include Professor Wole Soyinka; ministers responsible for culture and the arts from Côte d’Ivoire, South Africa and Rwanda; International Finance Corporation representatives; and from Afreximbank.

Financing will also be central to the programme. The Creative Economy Finance Summit, presented by Afreximbank in partnership with the Creative Economy Practice at Co-Creation Hub, will bring financial institutions and investors together to examine how creative-economy transactions can be structured, financed and de-risked.

CANEX Creations Inc. will lead discussions on unlocking investment in African intellectual property, while the CANEX Deal Room and Creative Pitch Sessions will connect creative entrepreneurs directly with financiers and investors considering opportunities across film and television, music, fashion, sport, publishing, gastronomy, visual arts and creative infrastructure. Technology and the changing economics of creative production will feature prominently. Sessions will examine artificial intelligence, authorship and intellectual property; the use of technology to reshape creative businesses; and how African creators can use digital tools to develop globally competitive products.

The CANEX CreaThon, delivered with pan-African technology company Gebeya, will bring creators, developers and innovators together around projects in music, video and gaming, supported by African-built digital tools, mentorship, computing resources and a US$50,000 prize pool. Film and television programming will explore both storytelling and the commercial infrastructure required to take African content to wider audiences. Sessions include “Stories Without Borders: Africa, Hollywood & the Global Diaspora”, featuring former Afreximbank President Professor Benedict Oramah, and “Made in Africa, Watched in Africa”, which will examine research into film distribution, audiences and financing across Egypt, Kenya, Nigeria, Rwanda, Senegal and South Africa.

Sport will form another major strand of CANEX WKND 2026. Discussions will examine athlete development, management, commercialisation and the links between sport and the broader creative economy. Didier Drogba and Jay-Jay Okocha are scheduled to participate in “When Giants Speak: The Business of the Game,” while the weekend will conclude with a Legends Football Match at Onikan Stadium on 8 November. Fashion programming will include masterclasses on building profitable African brands, textile value chains, market access and intellectual property, alongside the CANEX Fashion Show and Awards Night.

In gastronomy, the CANEX Junior Chefs Competition, Africa Jollof Wars Competition and a series of live demonstrations and conversations will explore how African food, ingredients and culinary traditions can become stronger commercial propositions across domestic, continental and global markets. Publishing and literature will feature through the CANEX Book Factory, Book Fair, writers’ workshops, manuscript pitching and the CANEX Prize for Publishing, while visual arts programming will combine exhibitions, collector engagement and practical sessions for artists navigating Africa’s growing art ecosystem.

On 7 November, CANEX WKND 2026 will host a major concert bringing together artists from across Africa and the diaspora, before the programme continues into its final day on 8 November with cultural excursions, gastronomy activities, the CANEX Music Factory Songwriting Camp and the Legends Football Game.

Distributed by APO Group on behalf of Afreximbank.

 




 

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Coca-Cola system invests USD 1.22 million to strengthen water security in Namibia

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The initiative represents a nearly USD 25 million investment focused on helping address critical water-related challenges across 20 African countries by 2030

WINDHOEK, Namibia, November 5, 2026/APO Group/ –As Namibia continues to face recurring droughts and growing water demand, the country’s water resources are under increasing pressure. Windhoek is situated in one of the most water-stressed regions in sub-Saharan Africa, where low and unpredictable rainfall, combined with high evaporation rates, continues to challenge water availability and long-term water security.[1]

 




  

To help address these shared water challenges, the Coca-Cola system is investing USD 1.22 million in the //Gam-i Swakop Basin Resilience Project, designed to help strengthen water security and support ecosystem restoration in the Swakop River Basin, a vital water source for the city of Windhoek and surrounding communities.

The //Gam-i Swakop Basin Resilience Project aims to support improved water availability and help strengthen the resilience of the Swakop River Basin through nature-based solutions that support sustainable water resource management across the catchment area.

Implemented in collaboration with the Global Water Challenge (GWC) and World Wildlife Fund (WWF) Namibia, the project includes the construction of two sand storage dams, restoration of 235 hectares of land through the clearing of invasive alien plants, and the planting of 750 trees in river buffer zones and environmentally degraded areas within Windhoek’s informal settlements. In addition, two boreholes will be drilled to support groundwater recharge in the Windhoek aquifer, and a water resilience action plan has been developed.

Through the Africa Water Stewardship Initiative, the system aims to help protect important watersheds and to improve access to water and sanitation in local communities

This work forms part of the Coca-Cola system’s Africa Water Stewardship Initiative, launched in 2024. The initiative represents a nearly USD 25 million investment focused on helping address critical water-related challenges across 20 African countries by 2030.

“Because water challenges are local, our approach to water security is focused on local action and collaboration,” said Alfred Olajide, Vice President of East and Central Africa Operations at Coca‑Cola. “The Coca‑Cola system remains focused on helping to promote water stewardship, increasing water use efficiency, and treating and returning safe water to communities.”

Henry Friedrich, General Manager of Coca-Cola Namibia Bottling Company (CCNBC) added: “As part of the Coca-Cola Beverages Africa group, we have a responsibility to assist those who face water scarcity and to help protect local water resources where we operate, especially in places with the biggest challenges. Through the Africa Water Stewardship Initiative, the system aims to help protect important watersheds and to improve access to water and sanitation in local communities.”

WWF Namibia Country Director, Dr Juliane Zeidler, said: “Water is one of Namibia’s most precious and increasingly vulnerable resources. This project is an opportunity to demonstrate how investing in healthy ecosystems can deliver tangible benefits for people, while also helping communities become more resilient to future climate pressures. We hope the lessons and partnerships developed through this initiative can inform similar approaches elsewhere in the country.”

“Collaboration is essential to addressing shared water challenges effectively. Coca-Cola and its authorised bottlers continue to work with governments, businesses, and civil society organisations to design and implement strategic interventions,” concluded Olajide.


Distributed by APO Group on behalf of Coca-Cola Beverages Africa.

 

 




 

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‘Power, Protect, Purchase’: Africa Made It unveils blueprint to capture USD 34B in GDP and accelerate African industrial sovereignty

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Africa Practice research shows that Africa exports up to 98% of its raw cotton overseas and captures only 2% of its total value while incurring a USD 35 billion annual trade deficit

African culture, design, and storytelling influence global fashion, music, and media like never before

LAGOS, Nigeria, November 5, 2026/APO Group/ –Africa Made It (https://AfricaMadeIt.co/), the continental movement driving Africa’s industrial sovereignty, today officially launched its campaign, “Power, Protect and Purchase,” at the CANEX weekend in Lagos, Nigeria. Aimed at unlocking USD 34 billion in annual GDP contribution through a structural transition from unprocessed raw cotton exports to end-to-end local garment processing, the initiative seeks to turn Africa’s vast natural wealth into sovereign, self-sustaining economic power.

 




  

Africa Made It is driven by a consortium of leading pan-African organisations, advocacy groups, and media organisations who are positioning Africa as a global investment hub. Its flagship campaign, spotlighting the fibre-to-fashion value chain, presents a clear roadmap for continental industrialisation: securing competitive energy power for local industrial mills, enacting policy measures to protect emerging domestic manufacturers from unfair foreign imports, and rallying African consumers to purchase locally manufactured apparel. Together, these three pillars ensure that value created from African resources remains on African soil.

 

Africa Practice research shows that Africa exports up to 98% of its raw cotton overseas and captures only 2% of its total value while incurring a USD 35 billion annual trade deficit.  Building the continent’s domestic processing capacity in spinning, weaving, and sewing locally produced cotton will sustain nearly two million permanent industrial jobs and inject approximately USD 33 billion directly into domestic household incomes every year, in addition to a recurring contribution of USD 34 billion to the continent’s GDP.

 

While these figures reveal the immense macro-economic potential of the value chain, the true heart of this transformation lies in its human impact. Industrial wages and local lint purchases leading to increased capital circulation in rural communities can drive community micro-economic vitality and contribute to rural poverty reduction. Additionally, formal employment opportunities can expand drastically for women, as they currently make up between 70-90% of garment factory workers on the continent.

 

Realising this vision and changing the lives of millions of people requires a deliberate combination of targeted investments, supportive trade policies, and consumer mobilisation. A USD 1.8 billion capital allocation toward critical structural enablers for garment transformation is the foundation for bridging Africa’s missing middle in the fibre-to-fashion value chain.

 

Marie Wilke, editor-in-chief of the Africa Made It magazine, said, “African culture, design, and storytelling influence global fashion, music, and media like never before. Yet, without domestic manufacturing infrastructure, Africa’s creative authority yields very little economic return. Linking raw cotton harvest directly to local processing ensures that the intellectual property, commercial margins, and industrial jobs remain on the continent. It is time to wear our power.”

 

To learn more about the potential of Africa’s fibre to fashion value chain, watch the campaign video (https://apo-opa.co/4BKAIvY) or read the Africa Made it (https://apo-opa.co/4zvA5VF)magazine (https://apo-opa.co/4zvA5VF). Access the campaign website and resources in English (https://apo-opa.co/4zvA5VF) and French (https://apo-opa.co/4zrK8e2).

Distributed by APO Group on behalf of Africa Made It.

 

 




 

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